| Public Art Shows, and Private Projects. Knowledge for all. |
Shows for institutions and private spaces, from gallaries to foundations, are entertaining for who organizzes and for who plans. Also in this case, harmony and rationalization of resources are fundamental elements that knot the quality/cost/benefit if they keep in mind some necessary requirements: the formative and informative objectives of the buyer, the responsibility of the team, and last but not least the scientific rigors of the artist(s) in the planning of the project based on both a conceptual and visual point of view.
It seems easy. When one arrives at the sacred place of exhibition, one has the impression that the art work has always been there, but in reality the preparation of the exhibition is the result of passion, knowledge, and skills that integrate the hours of labor and the examination of details, whether it be operational or intellectual.
One is not mistaken when they say that a job well-done is a job that follows the laws of art…
After a Vernissage comes magic and knowledge. It is not like when one goes to the cinema, because as much as a film can be of good quality, at some point it must end. True works of art broadcast throughout the world and cannot be turned off like the television, and it cannot stop to tell us about ourselves and our life experiences.
I think about it every day: where culture and knowledge is hidden, violence and primordial instinct is flourished.
This is the reason why the cultural city and territory projects are financed by the European Community and are quite highly considered in developed countries. Art shows and art events that contain high quality objectives and are built to be one of a kind, have double the value of being irreplaceable elements for internal cultural growth and the strategic point of reference for economic growth, that comes from the tourist flow and the cultural community and also is the evolution of the professional sources and internal entrepreneurs.
Francesco Cascino
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